Евгениия (Среда, 27 декабря 2006, 20:03:15) писал:
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Week 56 (финальные судебные заседания)
Hanging on by my fingernails in some of these. Somewhere in here the Dobson's wrote me into 58 pages of a 70-something-page script. I went to them and said they'd finally written one I couldn't memorize. Jerry cut my load down to 30-something pages, and the show was 10 minutes short.
Get's pretty heated in here. Not sure where I got the energy, but I was pretty pleased with the work. Sometimes I worked on pure adrenaline--it always felt like there was more at stake when the whole cast was sitting there. You hate to keep everybody waiting...and you want the work to be good.
(Perry) Mason strikes again. Forensics have sure come a long way since the Reagan Era. Not that our attention to court protocol was all that rigid...
I sure envied that judge being able to keep a script on his desk at all times. Watch closely, and you can see him cheat...
Speaking of the Reagan Era--recognize Richard Moll from "Night Court"? NBC was cross-promoting their night-time line-up by using some of their prime-timers as guest stars. Always fun taunting CC, no matter how impossible they made him...Joel Bailey, who played Lindsay, was straight in real life, and the husband of Gina Gallego, a later Santana... One of my better 'tag faces' at the end of this sequence...
Week 57 (предполагаемая вечеринка в честь освобождения Теда, которая закончилась для СиСи известием о том, что Ченнинг был голубым)
Energy seems a little low in a couple of these--not surprising given the scedule of the preceding weeks. There's an old saying in my business -- "There are only nine people in theatre, and we all know each other." I first met Richard Moll (Malone) at the Globe Playhouse in Los Angeles back when Carter was President. He was playing Own Glendower in one of the Henry IV's...
Much prefer voice-over soliloquies--that's the way Shakespeare would have done it if he'd had the option...
Seeing Harley Kozak on screen can still make my pulse quicken, even twenty years later...
Pretty naughty in this scene. This was the stuff that made Mason fun...love the look as I sipped the scotch. Also fun to watch CC waltz into the the trap.
"Or unnatually" was an inspired aside...the rest of the writing in these clips is first-rate. Nice to see character, humor, and suspense all in the same place...
Hope you don't get too upset over CC's health problems... Why he goes upstairs instead of the ER is a mystery...we probably couldn't afford the EMT extras...
Too bad Harley and I didn't have any chemistry..
The really nice thing about soap work for an actor is the opportunity to develop a character over a period of months and years, not just weeks. This last clip is a good example of serial writing at it's best. We've known Mason was something of a misfit--now we're really learning why. It's the stuff that gave him dimension, and made him a vulnerable villain, and not just a nasty guy...
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